Over the last week I have received several inquiries from performing ensembles and venue managers regarding a concept known as “Grand Rights”. If you have received a notice from a rights holder referring to Grand Rights, this note will provide a short explanation of why this is an important issue that must be addressed proactively.
For indoor performing ensembles, whether they belong to Winter Guard International (WGI) or another organization, this is an issue that should not be ignored and I encourage you to contact me immediately upon receipt of such a notice.
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These are highly charged political times. The level of public political discourse is not the most erudite and leaves much to be desired. To put it mildly, there is more heat than light these days.
Times like these are such that nonprofit leaders must be more vigilant than ever about the prohibition against nonprofit organizations from engaging in political campaign activity.
Under the Internal Revenue Code, 501(c)(3) organizations, including charities and churches, are prohibited from engaging in political campaign activity. This was enacted by Congress in 1954 and later strengthened over the years to include a prohibition against issuing statements opposing individual candidates.
The concept of the prohibition arises from a close reading of Section 501(c)(3), which defines a 501(c)(3) organization as one "which does not participate in, or intervene in (including the publishing or distributing of statements), any political campaign on behalf of (or in opposition to) any candidate for public office."
One may ask why nonprofit leaders should be concerned about violating this rule.
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The legal landscape is changing rapidly, perhaps now more so than any time in American history. While we are only one week into the Trump Administration, federal policy is shifting before our very eyes. The political climate is no doubt highly charged, as I am sure you have all experienced in your conversations with friends and neighbors.
In a non-partisan and non-political way, I will do my best to analyze and provide context on the legal aspects of these federal issues that may directly or indirectly impact your businesses and/or organizations. This analysis is intended to provide some clarity for TLO friends and clients.
Summary
On January 27, 2017, President Trump signed an Executive Order (the “Order”) entitled “Protecting the Nation From Foreign Terrorist Entry Into the United States.” It is a densely worded document, but the Order does the following:
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Previously, I've written about the digital "resurrection" of Tupac Shakur, Ronnie James Dio and others. This week marked a giant leap forward (or backward depending on your worldview) in that trend. The late Peter Cushing, who among other famous roles played the iconic Governor Tarkin in Star Wars Episode IV: A New Hope, turns in a new "performance" 22 years after his death in the newly released Disney film, Rogue One.
How is this possible? Digital manipulation of Cushing's likeness. This is the latest in a line of developments where deceased musicians have "appeared" by hologram in concert, actors from bygone eras are inserted into TV commercials for vacuum cleaners and other products.
With the release of Rogue One, it is indeed a different paradigm now in film, tv and video content. We are rapidly approaching an era where people's likenesses can be resurrected via CGI after death to create new "performances" in future years that we can't now contemplate. What is a live performance really mean in this context?
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